/page/2

visitingfan:

vindsval:

John Martineau

Am I

Is that

Wh

So that’s why the 

Hussie how much research did you DO

(via northernersgraves)

i play dead, it stops the hurting. i play dead and the hurting stops. it’s sometimes just like sleeping, curling up inside my private tortures. i nestle into pain, hug suffering, caress every ache.
– Björk  (via flowerwomb)

(Source: 57468767, via kaakes)

dustulator:

Mystic Idols shot by Jean Baptiste Mondino for Jalouse no. 8, 1998

dustulator:

Mystic Idols shot by Jean Baptiste Mondino for Jalouse no. 8, 1998

(via same-dream-china)

rambleready:

hipsandships:

MARGARET KILGALLEN // “HEROINES” Exclusive // art21

[PBS just released this almost-lost footage from the now classic episode!]

Episode #175:Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen’s heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival video, images, and audio recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley.

Margaret Kilgallen’s work reflects her encyclopedic knowledge of signs drawn from American folk tradition, printmaking, and letterpress. Kilgallen has a love of “things that show the evidence of the human hand.” Painting directly on the wall, Kilgallen creates room-size murals that recall a time when personal craft and handmade signs were the dominant aesthetic.

Learn more about the artist here:

http://www.art21.org/artists/margaret-kilgallen

 

 

I have an old magazine I got at a yard sale w/a feature on her, & have long been intrigued - cool to see the woman in action!







Balenciaga Fall 1998, photographed by Bruno Dayan.

Balenciaga Fall 1998, photographed by Bruno Dayan.

(Source: vl4da, via kaakes)

archetypum:

bob ross wisdom to start the day off right

archetypum:

bob ross wisdom to start the day off right

museumuesum:

ELAINE REICHEK
East Africa. 1985.
Knitted wool yarn and twigs, and oil on gelatin silver print. Overall 66 in. x 8 ft. 10 in. (167.6 x 269.2 cm)

museumuesum:

ELAINE REICHEK

East Africa. 1985.

Knitted wool yarn and twigs, and oil on gelatin silver print. Overall 66 in. x 8 ft. 10 in. (167.6 x 269.2 cm)

(via textilenerd)

corgiaddict:

insanecorgi:

zoeythecorgi:

freshly picked corgi puppies

Screeeeeeeee!

PUPPY PILE!

corgiaddict:

insanecorgi:

zoeythecorgi:

freshly picked corgi puppies

Screeeeeeeee!

PUPPY PILE!

intothegloss:

Helmut Newton

intothegloss:

Helmut Newton

(via miieu)

visitingfan:

vindsval:

John Martineau

Am I

Is that

Wh

So that’s why the 

Hussie how much research did you DO

(via northernersgraves)

(via kaakes)

i play dead, it stops the hurting. i play dead and the hurting stops. it’s sometimes just like sleeping, curling up inside my private tortures. i nestle into pain, hug suffering, caress every ache.
– Björk  (via flowerwomb)

(Source: 57468767, via kaakes)

dustulator:

Mystic Idols shot by Jean Baptiste Mondino for Jalouse no. 8, 1998

dustulator:

Mystic Idols shot by Jean Baptiste Mondino for Jalouse no. 8, 1998

(via same-dream-china)

becru:

Hope Gangloff

becru:

Hope Gangloff

(via same-dream-china)

rambleready:

hipsandships:

MARGARET KILGALLEN // “HEROINES” Exclusive // art21

[PBS just released this almost-lost footage from the now classic episode!]

Episode #175:Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen’s heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival video, images, and audio recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley.

Margaret Kilgallen’s work reflects her encyclopedic knowledge of signs drawn from American folk tradition, printmaking, and letterpress. Kilgallen has a love of “things that show the evidence of the human hand.” Painting directly on the wall, Kilgallen creates room-size murals that recall a time when personal craft and handmade signs were the dominant aesthetic.

Learn more about the artist here:

http://www.art21.org/artists/margaret-kilgallen

 

 

I have an old magazine I got at a yard sale w/a feature on her, & have long been intrigued - cool to see the woman in action!







Balenciaga Fall 1998, photographed by Bruno Dayan.

Balenciaga Fall 1998, photographed by Bruno Dayan.

(Source: vl4da, via kaakes)

archetypum:

bob ross wisdom to start the day off right

archetypum:

bob ross wisdom to start the day off right

retrogirly:

Barbara Streisand

retrogirly:

Barbara Streisand

museumuesum:

ELAINE REICHEK
East Africa. 1985.
Knitted wool yarn and twigs, and oil on gelatin silver print. Overall 66 in. x 8 ft. 10 in. (167.6 x 269.2 cm)

museumuesum:

ELAINE REICHEK

East Africa. 1985.

Knitted wool yarn and twigs, and oil on gelatin silver print. Overall 66 in. x 8 ft. 10 in. (167.6 x 269.2 cm)

(via textilenerd)

corgiaddict:

insanecorgi:

zoeythecorgi:

freshly picked corgi puppies

Screeeeeeeee!

PUPPY PILE!

corgiaddict:

insanecorgi:

zoeythecorgi:

freshly picked corgi puppies

Screeeeeeeee!

PUPPY PILE!

"i play dead, it stops the hurting. i play dead and the hurting stops. it’s sometimes just like sleeping, curling up inside my private tortures. i nestle into pain, hug suffering, caress every ache."

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